[U715.Ebook] Ebook Quality Management: Essential Planning for Breweries, by Mary Pellettieri

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Quality Management: Essential Planning for Breweries, by Mary Pellettieri

Ebook Quality Management: Essential Planning for Breweries, by Mary Pellettieri

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Craft beer sales are flourishing across the U.S. and breweries are opening at a rapid rate. Without a continual emphasis on producing the highest quality beer, the health of the entire craft brewing industry is jeopardized. In other words, proper quality management for small, regional and national breweries is critical. This guidebook decodes how to create and manage a quality system in the context of the brewery environment. Written for staff who manage quality in breweries of all types and sizes—new and established alike—this book affords an understanding of how quality management is intertwined at all levels of the operation. Whether you are a brewmaster wearing many hats, lab staff, production staff or on a quality team, this book will guide you in developing a comprehensive program that will grow with your brewery, help ensure quality processes in the brewery and continue providing great beer for your fans.

• Sales Rank: #114820 in Books
• Published on: 2015-10-07
• Original language: English
• Number of items: 1
• Dimensions: 10.79" h x .58" w x 8.39" l, .0 pounds
• Binding: Paperback
• 200 pages

About the Author
Mary Pellettieri's brewing and beverage industry career spans more than two decades. She served as chemist and microbiologist at the Siebel Institute brewing school in Chicago, where she also taught Sensory Management. Later she managed the quality program for Chicago's young, independent Goose Island Beer Company in 2000. Her background and experience made her a desirable judge at prestigious beer competitions and later as quality manager for the historic MillerCoors Milwaukee brewery. Pellettieri speaks nationally on a variety of topics in quality, sensory analysis and brewing science, including at Craft Brewers Conference & BrewExpo America�, AHA National Homebrewers Conference, American Society for Quality, and Master Brewers Association of the Americas. In 2014, Pellettieri started her own beverage consulting service and company. She makes her own beverage concentrates, contract produces elixirs for the spirits industry, and consults with large and small beer, wine and cider companies.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Attention craft brewers: Read and implement!
By Suzanne B.
Great book that needed to be written! Hopefully it will be read and followed by many craft breweries (and other craft beverage and food producers), as it will take the quality of their production processes and final products to the consistent (!) and reliable quality levels that consumers deserve (and will expect in the future)!

My only complaint (took off one star for that) is the price: $95 (cover price and online price from a national association) is hopelessly overpriced. I bought new from Amazon for significantly less, but thought even that price was still high.

6 of 7 people found the following review helpful.
I was hoping to see more test methods/ procedures. ...
By jgrivna
I was hoping to see more test methods/ procedures. This book is more just about how to manage a quality program.

1 of 2 people found the following review helpful.
but I believe it is a great summary and guide for professionals
By Jason Dahl
Disclaimer: I am a homebrewer who happens to have an interest in lab science etc and am helping out my brother who works for a real brewery spin up a QA/QC program. This book was of little value to the average homebrewer, but I believe it is a great summary and guide for professionals. Gives great plans and examples for breweries looking to step up their QC game.

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[T852.Ebook] Fee Download Geometry from Africa (Classroom Resource Materials), by Paulus Gerdes

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Geometry from Africa (Classroom Resource Materials), by Paulus Gerdes

Fee Download Geometry from Africa (Classroom Resource Materials), by Paulus Gerdes

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This book draws on geometric ideas from cultural activities from Subsaharan Africa, and demonstrates how they may be explored to develop mathematical reasoning from school level through to university standard. Paulus Gerdes provides a thoroughly illustrated and researched exploration of mathematical ideas, motifs and patterns. Many important mathematical points are brought to the fore, not via the formal 'theorem-proof' method, but in a more schematic and diagrammatic manner. African artifacts, oral traditions, sand drawing and other forms of artwork with a geometric basis, all provide mathematical ideas for discussion in this unique book. Mathematicians and teachers of mathematics at all levels will be fascinated, as will anybody with an interest in African cultures.

• Sales Rank: #1560031 in Books
• Published on: 1999-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.96" h x .63" w x 6.97" l, 1.10 pounds
• Binding: Paperback
• 224 pages

Review
Gerdes presents us a rare mathematical gift. Through him we learn of the diversity, richness and pleasure of mathematical ideas found in sub-Saharan Africa. From a careful reading and working through this delightful book, one will find a fresh approach to mathematical inquiry as well as encounter a subtle challenge to Eurocentric discourses concerning the when , where, who and why of mathematics. -- Arthur Powell, Rutgers University

About the Author
Paulus Gerdes received his doctorates in mathematics, the history of mathematics, and mathematics education from the Universities of Dresden and Wuppertal (Germany). He has been a professor of mathematics at the Eduardo Mondlane University, and the Universidade Pedaggica in Mozambique for many years, serving as President from 1989-1996. He was a visiting professor at the University of Georgia from 1996 to 1998. He has served the African Mathematical Union as chair of the commission on the History of Mathematics in Africa since 1986, and was the secretary of the Southern African Mathematical Sciences Association 1991-1995.

Most helpful customer reviews

4 of 4 people found the following review helpful.
2000 CHOICE Magazine Outstanding Academic Book
By A Customer
CHOICE Magazine selected "Geometry from Africa" as one of the Outstanding Academic Books of 2000.
"The author expertly blends art, mathematics and lore, thereby giving the reader a greater appreciation of African culture... Gerdes' volume is a significant contribution to the literature of non-european centric mathematics. All of the mathematical ideas are accessible to undergraduates" CHOICE
"Are you a mathematics teacher seeking new sources for ideas? This book may be just what you are looking for.... With copious illustrations, the author shows how geometrical ideas are manifested in the work of African artisans... One does not have to be a mathematician to appreciate the illustrations in this book"
AAAS Science Books and Films

1 of 1 people found the following review helpful.
Cross curricular resource
By GB art/design
Paulus Gerdes' grey tone book is filled with clear illustrations, dimensions, explanations and history. It is a magnificent applied resource for maths, geometry and design teachers. My interest is in finding craft activities that support mathematical understanding. Weaving and pattern formation had great possibilities for motivating and securing sequential processes in maths learners of all levels and abilities but particularly those who have imaginative and kinaethetic strengths. Every school library needs this book to encourage creative, problem solving!

1 of 1 people found the following review helpful.
Great Book!!
By redfalcon06
Wouldn't it be tremendous to really teach the value of the contributions of all cultures in history? This book was so useful to some Mathematical research that I am involved in at that time and now.

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[F781.Ebook] Free Ebook The Maeght Family: A Passion for Modern Art, by Isabelle Maeght, Yoyo Maeght

Free Ebook The Maeght Family: A Passion for Modern Art, by Isabelle Maeght, Yoyo Maeght

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If modern art has a “first family,” it might very well be the Maeghts, whose gallery in Paris provided a literal and figurative base for so many 20th-century masters.

Here for the first time ever in book form is the story of this extraordinary family, filled with illustrations and documents by some of the legendary artists associated with it: Matisse, Braque, Duchamp, Mir�, Chagall, Calder, Kandinsky, Giacometti, and many others. Spinning this remarkable tale with an authority and in-depth knowledge that only family members could provide, Isabelle and Yoyo Maeght recount key events in the family’s life, including the Maeghts’ greatest legacy of all, the world-renowned Aim� and Marguerite Maeght Foundation, home to some of the greatest masterpieces of modern art and an architectural marvel in its own right.

• Sales Rank: #1748394 in Books
• Brand: Brand: Harry N. Abrams
• Published on: 2007-05-01
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.50" w x 9.25" l, 4.39 pounds
• Binding: Hardcover
• 312 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Really good purchase
By Mimble
I was extremly impressed with this book when it arrived. Really good value for money and jam packed with quality reproductions of classic art works. I didn't know about the Maeght Family when I bought the book and it turned out to be a really interesting education. Definitely recommended.

1 of 1 people found the following review helpful.
Amazing family
By David M.
Here is a concise chronology of a great art family of the 20th century. Crisp pictures help you visualize the glory of not only the foundation museum but their creative output and how they lived.

0 of 1 people found the following review helpful.
mellow family portrait of sly art dealer
By Chris Reinewald
Met zijn instinct voor kunst zorgde Aim� Maeght en zijn galeries in Parijs en Barcelona ervoor dat werk van Bracque, Giacometti, Mir�, Matisse, Calder en Chagall in belangrijke particuliere en museumverzamelingen kwamen.
Daarbij liet de kunsthandelaar in het zuid-Franse St Paul de Vence de prachtige Fondation Maeght, een priv�-museum met zijn collectie, bouwen.
Kleindochter Yoyo Maeght geeft in een lijvig fotoboek vooral een beeld van de dynastie waartoe zij behoort. Inhoudelijk laat ze echter vrijwel niets los over haar grootvader en diens vaak bikkelharde manier van kunst-zakendoen.

Over hoe je de naam Maeght uit Hazebrouck, Frans Vlaanderen uitspreekt, bestaan verschillende opvattingen, "Maagd" is uiteraard correct maar in de Franse dagelijkse praktijk lijkt "m�kt" meer voor de hand te liggen.
Er bestond overigens een (minieme) kans dat Aim� Maeght (1906-81) een Nederlandse kunsthandelaar van wereldformaat zou zijn geworden. Als gevolg van de Eerste Wereldoorlog in 1915 vluchtten zijn moeder en haar vier kinderen namelijk naar ons land. Vader Maeght, werkzaam bij het spoor verdween eerder bij eerdere oorlogshandelingen in 1914. Een jaar later werd het ouderlijk het huis plat-gebombardeerd. Een jaar later bracht het Rode Kruis het gezin Maeght naar de C�vennes.
Met het heerlijk in een Meditterane zon gekoesterde priv�museum Fondation Maeght, dat in 1964 opent, lijkt de geliefde (=Aim�) zich te revancheren op zijn onrustige vroege jeugd en het latere verlies van zijn tweede zoon.
Aim�'s ontwikkeling tot kunsthandelaar en maecenas is echter vooral aan zijn zuid-Franse vrouw Marguerite Devaye te danken. Het paar trouwt in 1928.
Aim� is dan affichedrukker; een vak dat hem altijd blijft boeien en inspireert tot de prachtig gelithografeerde edities en het fameuze kunstenaarscahier `Derri�re le Miroir', dat bij iedere galerie-expositie zal verschijnen. Marguerite opent in 1936 in Cannes een winkeltje waar zij luxe huishoudelijke voorwerpen en radio's verkoopt. Door zijn affichedrukkerij ontmoet hij de post-impressionistische schilder Pierre Bonnard, die ooit zelf litho's drukte. Bonnard complimenteert Maeght met zijn drukwerk en raakt met hem bevriend. Aim� wordt tussen 1939 en 1940 vanwege de Tweede Wereldoorlog in Toulon gemobiliseerd bij de infanterie maar keert na de Franse capitulatie terug naar huis. Marguerite stelt haar winkel ondertussen steeds vaker open voor exposities van lokale kunstenaars. Door hun vriendschap met de plaatselijke politicus en galeriehouder Jean Moulin in Nice krijgen de Maeghts interesse in de meer professionele kant van de kunsthandel. Als Moulin vanwege zijn verzetsdaden in 1943 wordt opgepakt en ge�xecuteerd wordt verhuizen Moulins secretaris en de Maeghts veiligheidshalve naar Vence.
Doordat Maeghts familie in etenswaren handelt lijdt men zowel fysiek als financieel geen gebrek.
Bonnard stelt hen voor aan zijn vriend Henri Matisse die kort daarop een serie portretten van Marguerite maakt. In 1944 vraagt hij Aim� hem te vergezellen naar zijn Parijse atelier waar hij sinds zijn verhuizing naar Le Cannet niet meer komt. In parijs haakt Bonnard Maeght over om de Schoeller Galerie over te nemen. De oorlog heeft de Franse kunsthandel volledig lamgelegd. Als Maeght in oktober 1945 aan de Rue du T�h�ran in Parijs zijn eerste galerie opent neemt hij een enorme voorsprong op zijn vooroorlogse collega's.

Aim�'s eerste expositie is er een met nieuw werk van Matisse. Deze laat zich in de regel vertegenwoordigen door zijn zoon Pierre, zes jaar ouder dan Aim�.
Pierre Matisse vestigde zich rond Kerst 1925 in New York waar hij zijn kunsthandel opzette en werk van veel Franse kunstenaars aan de nieuwe Amerikaanse musea en priv�-verzamelaars wist te verkopen. Het is begrijpelijk dat Pierre als handelaar met de oudste rechten wantrouwig naar de nieuwkomer Maeght kijkt. Welbeschouwd worden ze gezworen concurrenten al maken ze dat nooit publiekelijk. Ook Yoyo Maeght zwijgt in haar boek daarover.
Maar in de brievenbiografie `Matisse, Father & Son' citeert John Russell een brief uit 1945 waarin Henri Pierre voor Maeght waarschuwt: "Vergeet niet dat hij wel eens je toekomstige vijand zou kunnen zijn."
Uiteraard bezoekt Pierre zijn vaders expositie bij Maeght met beelden, tekeningen, schilderijen en zelfs foto's die het scheppingsproces tonen. Hij vindt de tentoonstelling goed ingericht, maar van de entourage gruwt hij. Zijn vader schrijft hij: "Het lijkt wel een boudoir, een wachtkamer van een dokter die indruk wil maken op zijn rijke pati�nten en maakt niet de indruk van een serieuze kunsthandel.
Ze denken dat ze het goed doen maar bereiken door die poenigheid juist het tegenovergestelde." Per kerende post valt Matisse zijn zoon bij: "Aim� Maeghts opvatting van elegantie is ronduit ridicuul."
In 1947 exposeert Maeght zijn enige avantgardistische expositie: een shockerende, surrealistische installatie van Joan Mir� en Marcel Duchamp met een geblindeerde naakte vrouw. Marguerite Maeght kan er wel om lachen.
Anders dan de introverte Pierre Matisse is Maeght een levensgenieter en een man van het grote gebaar. In de jaren zestig wanneer zijn handel op haar hoogtepunt is f�teert Maeght zijn kunstenaars bijvoorbeeld op diners en logeerpartijen in zijn buitenhuis in St Paul de Vence en rijdt hij ze persoonlijk in zijn Rolls-Royce naar de Biennale van Veneti�. Maar ook waagt Maeght zich aan nog niet gearriveerde kunstenaars zoals de Nederlandse broers Geer en Bram van Velde. Hun expositie in 1948 verkoopt slecht. Maeght be�indigt het contract maar koopt wel klein werk van Bram van Velde aan. In 1960 is het tij gekeerd en doen zowel de directeur van het Van Abbe Museum, Edy de Wilde en Willem Sandberg van het Stedelijk Museum in Amsterdam verwoede pogingen om bij Maeght een schilderij van Bram van Velde te kopen. De onderhandelingen mislukken. Beide gemeentemusea vinden de vraagprijs te hoog.

Het aanstellen van een directeur voor de lopende zaken in de galerie in Parijs geeft Aim� meer armslag voor de kunsthandel en het maken van buitenlandse reizen. In 1952 bezoekt Sandberg Maeght om een vroege Mir�, `Hirondelle, amour' te kopen. Het doek moet zo'n 8000 euro kosten; te duur vindt Sandberg.
Pas na een Mir�-expositie in het Stedelijk (1956) koopt hij negen, dan recente kleurenlitho's en een surrrealistische assemblage uit 1931 - voor zo'n 1200 euro - aan. Maeght schoot vaak onder Pierre Matisses duiven. Zo stelde hij alles in het werk om het wereldwijde alleenrecht op Giacometti te bemachtigen. Stokend in de lange vriendschap tussen de beeldhouwer en Matisse loog hij dat Giacometti hem al benaderde voor een expositie in zijn Parijse galerie. In 1953 op werkbezoek in New York verkoopt Maeght een nieuw beeldje van Giacometti door aan een Amerikaanse kunsthandel en schendt zo Matisses exclusiviteitsrechten.
Giacometti geeft daarop aan Matisse toe onnadenkend te hebben gehandeld en verbreekt later alle banden met Maeght.
Op vergelijkbare manieren pakt Maeght Mir� en Chagall in: kunstenaars die Matisse dan al sinds hun armoedige, prille begin had vertegenwoordigd.
In dat opzicht bekijk je de Fondation Maeght anders. Met het op Amerikaanse leest geschoeide priv�-museum, ontworpen door de Catalaanse architect Josep Luis Sert, die ook Mir�'s studio op Majorca bouwde, wil Maeght zich niet als handelaar maar als beschermer van de kunsten profileren. Hij nodigt dichters als Jacques Pr�vert en Louis Aragon. Giacometti maakt voor de binnenplaats een beeldenserie, Georges Bracque decoreert een "visvijver". De gewichtige And� Malraux, president De Gaulles rechterhand en cultuurpaus opent in 1964 de Fondation. Bij het feest treden Duke Ellington, Ella Fitzgerald en Yves Montand voor de gasten op. Rondom een beeld van Mir� wordt een artistiek ballet gedanst.

Aim� heeft twee zonen. Bernard, de jongste overleed op zijn 12e.
De oudste zoon, Adrien Maeght is minder extravert dan zijn vader. In 1956 begint hij voor zichzelf een nog steeds bestaande Parijse galerie onder zijn naam aan de Rue du Bac 42. In 1974 opende de familie in Barcelona, naast het Museo Picasso, nog een Spaanse galerie. Mir� kan nu ook in eigen land exposeren.
Als Maeght �diteurs vervaardigt de familie in eigen drukkerswerkplaats hoogwaardige grafiekedities. De door dichters geschreven kunstenaarscahiers `Derri�re le Miroir' zijn vaak voorzien van een -op metaal in hoge oplagen- gedrukte kleurenlitho. De cahiers zijn op veilingen inmiddels hoog gewaarde verzamelobjecten.
Reizend door de VS legt Aim� onvermoeid nieuwe contacten met een jongere generatie kunstenaars. Colourfieldpainter Elsworth Kelly maar ook de New Yorker-illustrator Saul Steinberg komen bij Maeght exposeren. De Ier Francis Bacon maakt zijn Franse debuut bij Maeght in Parijs.
In haar fotoboek geeft Yoyo Maeght een liefdevol beeld zien van haar grootvader Aim�. Ook te zien is hoe zijn passie voor de kunst gepaard ging met een hoge dosis ijdeltuiterij. Het leverde Frankrijk evenwel een prachtig museum op. Het type kunst dat de huidige generatie Maeght brengt is te kenschetsen als beschaafd-moderne salonschilderkunst. Interessanter is dat Yoyo en haar zus Isabelle Maeght, dochters van Adrien, de archieven van de familie ontsluiten. Hun vader Adrien maakte al op jonge leeftijd foto's en super 8 films in de ateliers van de Maeght-kunstenaars. Een erg mooi priv�-filmpje was verleden jaar nog in het Cobra Museum te zien: Alexander Calder voert, al mompelend, met zijn geknutselde fabeldieren een circusvoorstelling voor de meisjes Maeght op.
Als je zo'n heerlijke met kunst doordrenkte jeugd hebt gehad, vergeet je gauw de minder aangename kanten van je geliefde grootvader.

[as published in Tableau Fine Arts Magazine]

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Spanish Is Fun: Book 2

• Sales Rank: #681827 in Books
• Published on: 2015
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• Published on: 1966
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