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The Girl in the Red Coat, by Kate Hamer
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���•� Costa Book Award for First Novel finalist
���•� Dagger Award finalist
"Kate Hamer’s gripping debut novel�immediately recalls the explosion of similarly titled books and movies, from Stieg Larsson’s The Girl With the Dragon Tattoo and its sequels, to The Girl on the Train to Gone Girl … "—Michiko Kakutani, The New York Times
“Keeps the reader turning pages at a frantic clip... What’s most powerful here is not whodunnit, or even why, but how this mother and daughter bear their separation, and the stories they tell themselves to help endure it.” —Celeste Ng (Everything I Never Told You)
“Compulsively readable...Beautifully written and unpredictable, I had to stop myself racing to the end to find out what happened.” —Rosamund Lupton (Sister)�
“Both gripping and sensitive — beautifully written, it is a compulsive, aching story full of loss and redemption.” —Lisa Ballantyne (The Guilty One)
"Hamer’s dark tale of the lost and found is nearly impossible to put down.” —Booklist
Newly single mom Beth has one constant, gnawing worry: that her dreamy eight-year-old daughter, Carmel, who has a tendency to wander off, will one day go missing.
And then one day, it happens: On a Saturday morning thick with fog, Beth takes Carmel to a local outdoor festival, they get separated in the crowd, and Carmel is gone.
Shattered, Beth sets herself on the grim and lonely mission to find her daughter, keeping on relentlessly even as the authorities tell her that Carmel may be gone for good.
Carmel, meanwhile, is on a strange and harrowing journey of her own—to a totally unexpected place that requires her to live by her wits, while trying desperately to keep in her head, at all times, a vision of her mother …
Alternating between Beth’s story and Carmel’s, and written in gripping prose that won’t let go, The Girl in the Red Coat—like Emma Donoghue’s Room and M. L. Stedman’s The Light Between Oceans—is an utterly immersive story that’s�impossible to put down . . . and impossible to forget.
- Sales Rank: #48259 in Books
- Published on: 2016-02-16
- Released on: 2016-02-16
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.10" w x 6.30" l, 1.25 pounds
- Binding: Hardcover
- 336 pages
Amazon.com Review
An Amazon Best Book of February 2016: It’s every parent’s nightmare: Beth, a single mother, takes her 8-year-old daughter, Carmel, to a local festival for some fun and frivolity and she vanishes. What follows is an unusual and terrifying journey for them both. Kate Hamer’s sophisticated debut, The Girl in the Red Coat, is no ordinary whodunit, nor does it resort to over-the-top prurience to get under your skin. In many ways, this makes it even more chilling, as Hamer masterfully manipulates the reader into anticipating the worst with each (frantically) turned page. But ultimately it’s two parallel tales of survival: How does Beth press on in the face of paralyzing shame and worry? How does Carmel keep her wits about her in a frightening and complex situation beyond her comprehension? What gives this novel unexpected power and heart are the ways in which they find to hold onto themselves. --Erin Kodicek
From Publishers Weekly
British single mother Beth knows her eight-year-old daughter, Carmel, has a tendency to wander�€”at a local corn maze, on school trips�€”but one foggy day, the girl vanishes at a local festival and cannot be found. A man who claims to be Carmel's grandfather convinces her that Beth has been in a terrible accident, so Carmel leaves the fairgrounds with him and winds up at a secluded home with the man and his female companion, Dorothy. As Beth frantically searches and slowly isolates herself from the outside world, Carmel is told after careful manipulation that her mother has died, and soon finds herself in America with her new "grandparents," who work as spiritualist healers. Carmel fights to remember her past, but as time passes and she crisscrosses the country, her old life begins to fade. It takes everything in her to remember her name, her address, and her parents. Hamer's spectacular debut skillfully chronicles the nightmare of child abduction. Telling the story in two remarkable voices, with Beth's chapters unfurling in past tense and Carmel's in present tense, the author weaves a page-turning narrative. The trajectories of the novel's two leads�€”through despair, hope, and redemption�€”are believable and nuanced, resulting in a morally complex, haunting read. (Feb.)\n
Review
An ELLE Lettres Readers' Prize Winner
“Kate Hamer’s gripping debut novel immediately recalls the explosion of similarly titled books and movies, from Stieg Larsson’s The Girl With the Dragon Tattoo and its sequels, to The Girl on the Train to Gone Girl … What kicks The Girl in the Red Coat out of the loop of familiarity is Ms. Hamer’s keen understanding of her two central characters: Carmel and her devastated mother, Beth, who narrate alternating chapters … Both emerge as individuals depicted with sympathy but also with unsparing emotional precision.” —Michiko Kakutani, The New York Times
“This stunning debut...has the propulsion of a thriller.” —People
“Every sentence in Kate Hamer's debut is so perceptive that you're torn between wanting to linger on the thought and itching to learn what happens next...The taut plot alternates between Carmel's emotional struggle to survive and Beth's refusal to believe that her daughter is gone forever. Meanwhile, their complex yet unbreakable bond is rendered with honesty and love.”—Oprah.com
“Keeps the reader turning pages at a frantic clip . . . What’s most powerful here is not whodunit, or even why, but how this mother and daughter bear their separation, and the stories they tell themselves to help endure it.” —Celeste Ng, author of Everything I Never Told You
�
“Hamer’s book is a moving, voice-driven narrative. As much an examination of loss and anxiety as it is a gripping page-turner, it’ll appeal to anyone captivated by child narrators or analyses of the pains and joys of motherhood.” —Huffington Post
“Riveting. Worth the hype.”—Book Riot
“Compulsively readable . . . Beautifully written and unpredictable . . . I had to stop myself racing to the end to find out what happened . . . Kate Hamer catches at the threads of what parents fear most—the abduction of a child—and weaves a disturbing and original story. There is menace in this book, lurking in the shadows on every page, but also innocence, love, and hope.” —Rosamund Lupton, author of Sisters
�
“Gripping and sensitive—beautifully written, The Girl in the Red Coat is a compulsive, aching story full of loss and redemption.” —Lisa Ballantyne, author of The Guilty One
“[A] spectacular debut … Telling the story in two remarkable voices, with Beth’s chapters unfurling in past tense and Carmel’s in present tense, the author weaves a page-turning narrative. The trajectories of the novel’s two leads—through despair, hope, and redemption—are believable and nuanced, resulting in a morally complex, haunting read.” —Publishers Weekly, starred review
“Reading this novel is a test of how fast you can turn pages.”�—Library Journal, starred review
“Hamer’s lush use of language easily conjures fairy-tale imagery, especially of dark forests and Little Red Riding Hood. Although a kidnapped child is the central plot point, this is not a mystery but a novel of deep inquiry and intense emotions. Hamer’s dark tale of the lost and found is nearly impossible to put down and will spark much discussion.”�—Booklist, starred review
“Poignantly details the loss and loneliness of a mother and daughter separated...Fast-paced ... Hamer beautifully renders pain, exactly capturing the evisceration of loss...Exquisite prose surrounding a mother and daughter torn apart.”�—Kirkus Reviews
Most helpful customer reviews
84 of 90 people found the following review helpful.
Will Carmel and Beth be reunited?
By Ameya
Eight-year-old Carmel Wakeford goes missing. This is the second time she has disappeared in front of her mother’s eyes, despite Beth’s extremely watchful eye. Then we fork out into two voices, Carmel’s and Beth’s.
As a parent, I have to admit that I didn’t find the initial part of the reading pleasant, always worried I would find out the ‘real reason’ Carmel had been abducted.
The things I liked:
1. The way that Beth’s vigilance around Carmel is pictured before her daughter goes missing.
2. Beth’s ongoing grief and self-blame, and her reaction to everyone’s blame, especially her ex-husband, Nick’s, once Carmel goes missing.
3. The way that Beth doesn’t go off to drown her sorrow by falling into some man’s arms, and that she eventually finds a constructive aim in life.
4. The female friendships between Carmel and Melody especially, but also Silver in the end.
The things that weighed the book down:
1. Carmel’s telling: I sigh very deeply when supposed 8-year-olds use long words, then try to explain how they know such a word because some adult has told them what it means, or has used it, or whatever… It’s such a storytelling device that makes me feel as the reader that the author is intruding in the story.
2. How the ‘grandfather’ just knows so much about her. That is never explained.
3. How the ‘grandfather’ even came to the small town and located Carmel is not convincingly told.
4. The repetitiousness of the itinerant lifestyle. I found the middle of the novel is a great soggy blob.
5. The lack of an explanation as to what led to the denouement: was it Nick’s private eye, the police efforts in the UK, Melody’s intervention, Carmel’s breadcrumb clues? Heck, even the police at the church gathering didn’t seek Carmel out! I won’t be reading any sequel to find out. There’s only so much juice you can wring from a story, and this story has all its juice wrung out already.
6. What happened to Mercy?
7. The lack of the ending for Beth and Carmel. There may be readers who like the author to leave the telling of the ending, for the reader to pick up the pieces. But as far as I’m concerned, the greatest authorly satisfaction would have been for Kate Hamer to write the emotions that play out at the end of this novel. Not doing so is a cop out. It was the opportunity to let the author’s juices flow and really get into the emotional resolution. No, there was none for the reader. Instead there is only a plot resolution, and that only barely just.
I did struggle to read the middle two-thirds of the book. I didn’t find the novel suspenseful, the only question keeping me turning the pages being: will Carmel and Beth be reunited?”
32 of 34 people found the following review helpful.
A good debut
By M. Wanchoo
This was a thriller with an interesting hook, a child goes missing and what happens next over a period of five years. Beth and her daughter Carmel are the protagonists through whom we see the story unfold. This was an extremely emotional story that keeps you invested by its POV switches, plot twists and smooth pace. I enjoyed this story in spite of its predictable nature and thought that this was a good debut that shines through in spite of its flaws
17 of 18 people found the following review helpful.
A compelling first debut and worthy of a read
By RW
Beth has a daughter named Carmel who tends to disappear but potentially has a propensity for unusual "Powers." Beth is divorced from her husband, Paul who is Carmel's dad at the time she goes to a Festival with Carmel and she disappears. Where she goes and the story that unfolds surrounding Carmel is the crux of the story and is told entirely from Carmel's point of view. I would guess that 2/3 of the book relates to her predicament and her feelings toward what has happened to her while the other third is relating to what Beth does to find Carmel and what is going through her mind.
Do not mistake this for a traditional thriller as there is very little with regard to the investigative portion of the search. The story really revolves around Carmel's thought process during her plight, how she deals with it and what mainly, the evolution of her emotions as time goes by. Although what happened to Carmel is revealed very early in the book it would be a spoiler to mention it, but that situation is very unique and emotionally interesting.
I am not sure Beth's thoughts were fully explored during this book of which the copy I read was just 324 pages but I am not sure that was the point of the book. The pages do turn although the authors writing style can be a bit hard to follow with her wistful ways at times. Perhaps trying to do too much with visually painting a picture rather than telling the story directly to the reader.
I have not read some of the books that this novel has been compared to other than say, Gone Girl or Girl on the Train but both of those are better books than this one in my opinion. Certainly the emotional side explored with Carmel is compelling and worthy of a read, however.
Note to the potential reader: Do not page forward in this book to see how many pages it is as if you look at the title of the last chapter it gives away part of the suspense in this book.
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